Tubular Mesh
Leaving behind the "Windbell or the Simulation of Paradox" series, in which interactive installations were deliberately left entirely uncontrolled, the paradigm shifts in the proposed work. This marks the first object in which sounds are relatively regulated, with frequencies varying from one element to another, allowing the possibility of playing with different tunes.This reinterpreted object is now placed within a natural environment, where it is influenced not only by human interactions but also by weather. At its core, this work serves as a portal to childhood, a space where instinct is given free rein—recalling a time when exploration was driven purely by the pursuit of joy. It seeks to evoke sensory experiences unmediated by judgment, immersing the participant in the immediacy of the present moment. The work alludes to the tactile memory of plunging hands into sacks of wheat and beans at the market or the uninhibited curiosity of encountering a musical instrument for the first time, engaging with it intuitively despite a lack of formal knowledge.
Claudiu Lazăr
Claudiu Lazăr (b.1997, Suceava, Romania) recreates using imagination and brings into the realm of presence, of sensitive things, a surplus of inner reality. He constitutes his work in a myriad of similar figures in terms of projects, yet different via their execution, as an open series in which every element is a provisionary subassembly. As a principle of unity, the pleasure of repetition with a predetermined category of topics that cannot be understood without integrating its formative states. Whether talking about sketches or the simple position of the paint stroke, Claudiu brings his ideas to life with his technique, focusing on a primitive, sought-after and a priori imagined brush stroke. At the beginning his canvases vibrated with internal anguish; now he also x-rays the exterior, looking for elements of collective spirituality. He currently lives and works in Romania, after he took part in a residence in Berlin.